When people die, I’m usually the last person to say “Rest In Peace” or any sort of death related condolence. In fact, I usually do the exact opposite of this and try my best to find humor or light in the situation. For instance when Steve Irwin died I immediately made a crack about his suntan lotion being taken off of the market for it not protecting against harmful rays, which was universally deemed to be “too soon” by my peers. Of course, one only needs to look at my Michael Jackson post to see how I handle the deaths of people who I particularly disdain. After going through a recent string of celebrity deaths, as well as a death that occurred at my own school, in the recent months I’ve quickly come to learn that a lot of people don’t like my way of approaching death. To them my light-hearted almost humorous approach to death seems harsh or disrespectful and while I can certainly see this being the case, I have my own reasons for it, reasons which would quite literally take me thousands of words to fully explain.
With that being said, I’ve recently learned of a death that I simply can’t take light-heartedly and that is because the influence and sheer impact that this man has had on my life has been great. The man who I am talking about is none other than Jun Seba, A.K.A Nujabes. For those of you who don’t know (which should be most of you) Nujabes is a Japanese DJ/Producer who has made some of the greatest hip-hop beats that I’ve ever heard. Now I know when most people think of hip-hop they think of Kanye West, Lil’ Wayne, and whatever crap that is made by today’s mainstream music scene. While such hip-hop is popular, it really isn’t music. It’s a bunch of really crappy beats, with lame lyrics, and a ton of autotune to make everything sound fake.
However, Nujabes’ approach to hip-hop was different. Instead of trying to make the beat sound loud, aggressive, or excessive like today’s mainstream artists, he made his beats simply sound beautiful. He did this by using jazzy themes, which were played with beautiful instruments like the piano, violin, and guitar, and then he combined them with the drum beats that hip hop is known for. The results where simply outstanding, as he created a sound that could be considered sophisticated and eloquent jazz, yet at the same time pure hip-hop. To add a cherry on top, these beats where often set to some of the most meaningful and powerful lyrics that I have ever heard. Lyrics that have a message and are uplifting, something that isn’t found in today’s mainstream hip-hop.
I was first exposed to Nujabes sometime around eighth grade when I first heard Samurai Champloo’s theme song. Like all of Shinichiro Watanabe’s animes (such as Cowboy Bebop), Samurai Champloo had an opening song that was simply badass, it was called “Battle Cry”. After hearing it, I became obsessed with Samurai Champloo. Partly because it was a good animé and it had a great story, but mostly because it meant that I could hear “Battle Cry” whenever I watched the show. I entered high school and I let go of my animé roots. It wasn’t so much that I disliked animé, but it was more so because I outgrew it, and aside from Cowboy Bebop, and Samurai Champloo, I found everything else to be too kiddy for my tastes. Plus, there’s absolutely nothing cool about animé so shedding that social encumbrance was helpful in helping me mature as an individual.
A few years later, I was searching random youtube videos and I decided to see if youtube had any Samurai Champloo episodes available for me to watch. Of course, because youtube is copyright happy in the “we’ll fuck you over anally” kind of way, they didn’t have any full episodes, but they did have the opening sequence featuring “Battle Cry” which I decided to watch. Upon watching that video I saw in the comments that the artist who made the song was none other than Nujabes, and using the handy “related videos” feature I found more of his work. Needless to say, that was a very big day for me because I was exposed to a whole style of music that I had never heard before. It was called “underground hip-hop”
After listening to a whole bunch of Nujabes for a few months, I decided to instant message my good friend Brian Nguyen to show him one of Nujabes’ songs. To my surprise, Brian had known about Nujabes for years and was more familiar with the “underground hip-hop” scene than I was. Brian promptly introduced me to some more artist, and since then I’ve discovered such greats as Kero One, Pat D, Nicola Conte, Tsutchie, Jazzanova, Koop, and a whole lot more.
To put it succinctly, this music has simply changed my perspective on life and I don’t mean this in the fake “music is my life” kind of way. What I mean is that this music has added an uplifting, emotional, and simply beautiful component to my life that I think I was sourly missing before I experienced it. It has influenced the way I play piano, how I make movies, and even how I enjoy exercising and riding my bike. Of course, there’s nothing better than going out on a beautiful night and listening to some Nujabes tunes while cruising. For all that, I simply have to say thank you Nujabes for making such beautiful and great music.
I learned of Nujabes death last night when my friend An texted me. Today, I commemorated his death in the best way that I could think of (outside of writing a corny blog post that few people are going to read anyways) and that is by going on a long 40 mile bike ride and listening to nothing but his music. To be honest, it was a beautiful ride that I don’t think I will ever forget.
I thank you all for showing up to me,
I appreciate this unique opportunity,
I’m going to rock so hard you’ll never stop supporting me,
I’ll show you how music brings more meaning to life.



